Medieval cloaks and capes2/1/2024 ![]() The nobility wore warm and highly decorated capes, sometimes with embroidery, while the peasants wore capes of dark colors and poor materials. The cape was a garment widely used in medieval times as it helped to keep warm and protect from wind and rain. In ancient Rome, the cape without a hood was used by Roman soldiers, especially in the Nordic wars, where temperatures were very low. The noble classes such as doctors, actors, and teachers wore colored cloaks. One of the first to wear the cape were the Romans. The cape is worn over the shoulders, closed at the neck with ties or a brooch, and is usually warm to the ankles or knees. These models could be sleeveless or with wide or puffed sleeves, decorated with ornamented ribbons, lacing on the edges, insets of contrast colours or embroidery.īuttons, badges, applications of golden threads, pearls or precious gems could be added as accessories.The cape is a warm garment that serves to keep warm when temperatures drop and can also serve to hide a person's identity, with the help of the hood. So capes and cloaks were a necessary part of outfit, consisted of dresses, tunics and shirts.Īpart from cloaks of different length, women often worn varied coats as upper clothes. Multi-layered clothing came into fashion. They were used for daily wearing and as gala garb for state occasions. Prosperous women swanked around in warm cloaks with ermine or squirrel fur.Ĭapes were in common use in the late Middle Ages as well. Over robe or surcoat, ladies were wearing long cloaks, lined with bright ornamented fabrics and fixed with agrafe of straps under chin. Usually, it was decorated with orphrey or fur trimming.Ĭloaks were an essential part of traditional women’s outfit. Expensive and heavy-weight fabrics were used for this clothing. Decorative trim, which joined collar edges, helped to keep mantle at place. They draped mantle around the shoulders in such a way, that it hardly covered the shoulders and hang down the ground. ![]() Members of the nobility were wearing light cloak, called mantle. Religious clerics usually used such woolen cloak. In the cold season or for trips, people used wide one-piece cape with slashes for arms and hanging folded sleeves. The most success these models had at young grandees and court nobility. Thigh-length capes with lining of contrast colour came into fashion. Starting the end of the XIII century, cloaks got a lining. Crafted leather or thin felt were used rare. Most often, there were cotton, linen or wool. Hood was made of the same fabric, as cloak. In addition, such cape could hide person’s face and form, so it made its owner almost unrecognizable. As a result, upper clothing became perfect protection against cold, wind or rain. Such accessory was decorated with rich enamels, embossing or gems.Ĭloak often had a hood. But noble and rich seigneur fastened such clothing on the chest with especial clasp – agrafe. In such a case, fastening usually was on the right shoulder.Ĭitizens and common people attached their cloaks under the chin with lacing. There are many paintings and sculptures, where we can see that people were wearing cloaks as on the both shoulders, so on the only one. From the neckline, cloak was draped with pleats. Tailors were cutting it of round or half-round piece of fabric. In the early Middle Ages (up to the XII-XIII centuries), coats were main type of over clothing. Just send picture with detailed description to Then we will advise you price and discuss details of order. ![]() If you didn’t find the wished piece of clothing in this section, we can make it individually for you. After that, our manager will contact you with measurement request and specification of order’s details.Īll models are perfect for any historical event, festival or masquerade. Once all options are selected, add item to cart and proceed with payment. If you have any difficulties when ordering, please contact our account manager, and we will help you. Add lining fabric and decoration (if available).Define the wished colour of your clothing.Choose fabric for your cape or cloak – cotton, linen, wool or velvet.To order the wished model, you need to do few simple actions: Our cloaks are tailored by individual customer parameters and regards. We make every item by hands according to historical analogues.
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Gameboy sp with brighter screen2/1/2024 ![]() Similar interpolations are visible on the left and right sides of the "Y", and elsewhere on the screen. The average of two dark pixels is also dark, so it is the same colour as the rest of the "A". On the right side of the "A", another column of interpolated pixels has ended up in between the two columns of dark pixels. These pixels have been averaged out as a medium gray. On the left side of the "A", a column of pixels has been interpolated between the dark pixels of the "A" and the light pixels of the background. Here are some detailed photos of the "AY" from the "1Player" text: If you look closely at the Advance's display with an un-stretched Game Boy game, then a stretched one, it's possible to identify which columns have had their values calculated by this "averaging" interpolation. In this instance, rather than choosing to duplicate one column to fill the empty pixels, you take an average of the values in the columns to the left and the right of each empty pixel, and use this calculated value instead. It's a simple method, but doesn't look that good, because some columns won't be doubled at all, but others will.Īn alternative approach is to use a technique called interpolation. Every two columns of pixels from an old Game Boy game will now need to be "stretched" over three columns of the Advance's screen.īut what values should be assigned to the pixels in these extra third columns? You could double up some of the original columns' pixels, doubling the "width" of all the odd columns, or perhaps the even ones. Instead, Nintendo selected a screen for the Advance that had a resolution that is one and a half times (or 3/2) that of the original Game Boy (160 x 3/2 = 240). It's not always feasible to double the resolution of your screen it's likely that such a resolution wasn't available (or affordable) in a handheld size at the time of the Advance. It would effectively mean that each of the Game Boy's pixels were twice as wide as before. If the Advance had twice the horizontal resolution of the Game Boy, it would be easy to stretch: each column of pixels could be repeated twice. Horizontally, the image is definitely stretched. Firstly, the stretching isn't done in the vertical direction: Game Boy (and Color) games only used 144 rows of the 160 available on Advance screen, so there'd be black "letterbox" bars at the top and bottom, whether you stretched the image widescreen (with the shoulder buttons) or not. 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Klaus Badelt, also a German composer, was asked by Zimmer to join him and collaborate on the film score for Pirates of the Caribbean. Create a SoundCloud account This is a track I made for the ending scene of the movie Gladiator. From war to love, pain and revenge, The Battle is an exciting and vivacious work for orchestra that really encapsulates the themes of the film.Klaus Badelt at the Sundance Film Festival, 2010 Gladiator - Maximus death scene Elias Nilsson Composer 8 years ago Soundtrack 3,854 35 6 Elias Nilsson Composer 1,654 56 Follow Report Follow Elias Nilsson Composer and others on SoundCloud. Hans Zimmer’s soundtrack for Gladiator is a powerful statement that uniquely represents the trials and tribulations of what happens in the film. The poignant ending completely opposes the vigorous and intense music before it, which adds to the overall drama of the soundtrack. 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Interestingly this is interrupted by an interlude played by a solo guitar, which is an unusual choice for Zimmer. Opening with horns playing a triumphant theme, the percussion aptly accompany which sets up the war-like atmosphere. The Battle serves as the soundtrack for the first fight seen in the film, and is an epic accompaniment to the drama happening on screen. Zimmer’s music reflects this with bold orchestrations, memorable melodies and typical Zimmer harmonic language. The film follows main character Maximus Decimus Meridius as he experiences slavery and seeks revenge on the corrupted leader Commodus. Hans Zimmer was approached to compose the soundtrack for Ridley Scott’s popular film Gladiator in 2000. Once your PC restarts after the reset, you will see everything is working like before and completely fine. However, if you choose to delete everything, it will act like a proper Windows installation and we recommend that. 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